“We are here to tell them that God has not abandoned them,” Cornioli said. “We started with the idea of restoring dignity to these people.”
With the support, not only financially but also professionally, of friends and volunteers, Rafedìn took its first steps. “Some seamstresses and fashion designers got involved,” Cornioli explained, particularly the designer Rosaria Mininno, who left her job in Italy last year to move to Amman and dedicate herself full time to Rafedìn. The fashion designer Antonella Mazzoni also joined them.
Currently, 19 girls are employed, all of whom are Christians. The workshop is hosted in the premises of the Latin parish of Mar Yousef. This serves as a means to protect the women working there who might not have had the opportunity to do so otherwise.
“One of the crafts that sets us apart is patchwork. The idea originated to reuse fabric scraps, but it also holds symbolic value,” according to Cornioli. “Just as something new and beautiful can emerge from scraps of fabric joined together, these ‘discarded’ girls, when united, can create beauty around them, as demonstrated by this project.”
For Cornioli, contact with refugees is what nourishes his own faith.
“They are people of extraordinary faith: They have lost everything they had but have kept their faith alive. For me, for my work, they are an endless source of personal enrichment and edification,” he said.
Since 2018, the project has been supported by the Italian Bishops’ Conference and benefits from the collaboration of the association Pro Terra Sancta. Since 2020, there has been a partnership with the French Embassy in Jordan.
Over the years, Rafedìn has grown, developing various production lines and expanding its collections. Now, it is economically self-sufficient: “We cover expenses and manage to provide a small salary to the girls,” Cornioli said.
Luna Sharbel, 25, arrived last November after leaving Iraq with her husband and two children. They are from Qaraqosh and made the decision to leave after a fire destroyed a structure during a wedding party resulting in more than 100 casualties.
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“There is no work, no security in Iraq. Now we hope to leave soon for Australia, where my husband’s entire family is already settled,” she said.
In the meantime, Sharbel works at Rafedìn: “I feel good here. Even though I don’t think I’ll continue doing this work, coming here gives me hope.”
Hope is also the word found on Rafedìn’s label: “Fashion seen through threads of hope.”
“For these young women, being forced to leave their homeland is an open wound,” Cornioli explained. “Working, organizing their day, contributing to support their family has a positive impact, even psychologically. As they sew, the threads of colored cotton become threads of healing, of hope for the future, the fabric of a new life.”
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