Pope Francis’ visit to Venice showcases art as means of encounter, fraternity 

The deeply symbolic visit was followed by a brief encounter with the artists responsible for the Holy See’s pavilion at the Biennale, where the pope encouraged artists to use their craft “to rid the world of the senseless and by now empty oppositions that seek to gain ground in racism, in xenophobia, in inequality, in ecological imbalance and aporophobia, that terrible neologism that means ‘fear of the poor.’”

The Holy Father traveled by a private vaporetto, or waterbus, bearing the two-tone flag of Vatican City, to the 16th-century baroque Basilica of Santa Maria della Salute, which sits on the Punta della Dogana, where he met with a large group of young people. 

Reflecting on the visit as a “beautiful moment of encounter,” the pope encouraged the youth to “rise from sadness to lift our gaze upward.” 

“Rise to stand in front of life, not to sit on the couch. Arise to say, ‘Here I am!’ to the Lord, who believes in us.” Building on this message of hope, which the pope emphasized is built upon perseverance, telling them “don’t isolate yourself” but “seek others, experience God together, find a group to walk with so you don’t grow tired.” 

The pope made his way to St. Mark’s Square in a white open-top golf cart bearing the papal seal, where he closed his visit with Mass. At the end of the Mass Archbishop Francesco Moraglia, the patriarch of Venice, thanked the pope for his visit. 

“Venice is a stupendous, fragile, unique city and has always been a bridge between East and West, a crossroads of peoples, cultures, and different faiths,” Moraglia noted. 

“For this reason, in Venice, the great themes of your encyclicals — Fratelli Tutti and Laudato Si’ — are promptly reflected in respect and care for creation and the person, starting with the good summit of life that must always be respected and loved, especially when it is fragile and asks to be welcomed.”