The nationally-acclaimed painter said he hopes his work will be received by the people of Kazakhstan “with love, with warmth, because, above all, it is the image of the mother.”
“Here is my personal opinion: I think that Kazakhs are very tolerant, they easily accept any culture,” he said.
The finished icon is expected to include a panel on each side depicting an ethnically Kazakh angel playing traditional musical instruments.
After the image is blessed in Nur-Sultan by Pope Francis, who will visit the city for the VII Congress of Leaders of World and Traditional Religions, it will be placed in a new prayer chapel at the Mary Queen of Peace Shrine in Ozernoe.
Peta said the new chapel would be built in the shape of a yurt, the traditional round tent used by nomadic groups in Central Asia. The shrine is also getting a new pilgrim welcome center dedicated to St. John Paul II.
The new chapel “is for all people, regardless of faith and nationality; this yurt will be a meeting place with Mary, and through Mary, with Jesus,” Peta said.
Kasymov said he faced a difficult decision when Peta asked him to create an icon of Mary and the Child Jesus, given that he himself is not Christian, nor even particularly religious.
“When the offer came in to write this work, of course I had my doubts,” he said. “But then I talked to my relatives, brothers, friends and they said, ‘Of course you should write it, it’s our common culture.’”
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Kasymov said he is also interested to see how his depiction of Our Lady of the Steppe interacts with the many European images of the Blessed Virgin Mary.
“I want to praise our beauty, too, and I want the beauty of our women, the beauty of our mothers to be understandable,” he said.
He explained that Mary is shown looking away because “Kazakhs consider it not quite right or polite for a woman to look directly into the face of her interlocutor.”
“We say in Kazakh, ‘Tygylyp Karama,’ do not stare straight ahead,” he said. “A woman should not look at the spectator directly, she looks a little into the distance. It’s a trait of modesty and part of etiquette.”
The Virgin Mary’s gaze can also be interpreted to mean that she is thinking about the future, that “she senses what is going to happen to her son,” he said.
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